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Eagleton, T: Walter Benjamin
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A classic study of the great philosopher and cultural theorist. This momentous study of Benjamin’s critical practice marks a sea change in Eagleton’s thought. As the subtitle suggests, its goal is not merely to contemplate Benjamin’s approach to language, history, and art but to chart a dynamic new course for contemporary socialist criticism. To do this, Eagleton brushes Benjamin’s Trauerspiel against seventeenth-century British literature, tests his concept of the “aura” against Freud and Laca…
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2025-06-02 08:00:00
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- Autors: Terry Eagleton
- Izdevējs Verso Books
- Gads: 2024
- Lapas: 208
- ISBN-10 : 1804296163
- ISBN-13 : 9781804296165
- Formāts: 12.7 x 19.6 x 1.6 cm, minkšti viršeliai
- Valoda: Anglų
- Extra -10% atlaide, ievadot kodu: EXTRA
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A classic study of the great philosopher and cultural theorist.This momentous study of Benjamin’s critical practice marks a sea change in Eagleton’s thought. As the subtitle suggests, its goal is not merely to contemplate Benjamin’s approach to language, history, and art but to chart a dynamic new course for contemporary socialist criticism. To do this, Eagleton brushes Benjamin’s Trauerspiel against seventeenth-century British literature, tests his concept of the “aura” against Freud and Lacan, and undertakes his most sustained engagement with Derrida and the political crossroads of deconstruction.
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- Autors: Terry Eagleton
- Izdevējs Verso Books
- Gads: 2024
- Lapas: 208
- ISBN-10: 1804296163
- ISBN-13: 9781804296165
- Formāts 12.7 x 19.6 x 1.6 cm, minkšti viršeliai
- Valoda: Anglų
A classic study of the great philosopher and cultural theorist.
This momentous study of Benjamin’s critical practice marks a sea change in Eagleton’s thought. As the subtitle suggests, its goal is not merely to contemplate Benjamin’s approach to language, history, and art but to chart a dynamic new course for contemporary socialist criticism. To do this, Eagleton brushes Benjamin’s Trauerspiel against seventeenth-century British literature, tests his concept of the “aura” against Freud and Lacan, and undertakes his most sustained engagement with Derrida and the political crossroads of deconstruction.
This momentous study of Benjamin’s critical practice marks a sea change in Eagleton’s thought. As the subtitle suggests, its goal is not merely to contemplate Benjamin’s approach to language, history, and art but to chart a dynamic new course for contemporary socialist criticism. To do this, Eagleton brushes Benjamin’s Trauerspiel against seventeenth-century British literature, tests his concept of the “aura” against Freud and Lacan, and undertakes his most sustained engagement with Derrida and the political crossroads of deconstruction.
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